Eva Stark

The décor that you choose for your wedding will help to set the tone and create a mood. When you are looking to design an atmosphere that is sophisticated and modern, a neutral palette is ideal. A restrained mixture of neutral tones will help to create an environment that is utterly chic and elegant.

There are a variety of neutral shades that you can use in your wedding design. There are warmer tones, such as beige, café au lait, and sand, as well as cooler shades like gray, pewter, and smoke. The warmer neutrals tend to be more versatile as well as more inviting, but the cooler tones can be perfect for a modern, minimalist wedding. Colors like gray are also great when used in combination with pops of bold bright colors like canary yellow or scarlet.

When you hear “neutral“, your first reaction might be “boring”, and it is true that neutral shade need to be used deliberately to create the right effect. In other words, if you are using the standard issue white tablecloths provided by the caterer and adding in a beige napkin as your accent, yes, you will run the risk of décor that is bland or boring. However, if you select a custom sand linen tablecloth with a wide mocha band at the edge and layer in a patterned napkin combining the two colors, you will have a look that is sophisticated and elegant. The difference is in the addition of layering textures, tones, and patterns to create an inviting space for your reception.

With a neutral tablescape, look for flowers that will complement, rather than contrast with, the linens. Vases overflowing with hydrangea, roses, and other ivory flowers will create a lush and rich look. For a more streamlined, modern wedding, try using a single type of flower, such as white tulips or orchids. Arrange the blooms artfully in a tall square glass vase for centerpieces that are the ultimate in modern chic.

Bridesmaid dresses can look fantastic when done in a neutral palette. You can either choose to have each attendant wear the same dress, or choose different ones within your color family. For example, you could have each bridesmaid choose a sand colored dress in a different style and fabric, such as satin or organza. Or, for another option, consider having each attendant wear the same gown, but each in a slightly different neutral shade, like an ivory, a café au lait, and a beige. The look will be very pretty when they are seen together.

When it comes to accessories for your bridesmaids, you will want to seek out bridesmaid jewelry sets in tones to match. Swarovksi pearls come in many great shades of neutrals, as do the dazzling crystals. One of the nice things about choosing jewelry sets for your bridesmaids that are not in bridal white is that they will find them very easy to wear again in the future. In keeping with the idea of layering different neutral tones, it would look great to custom order jewelry that is one or two shades deeper than their dresses.

So, as you can see, neutral certainly does not have to mean boring! Neutral tones are easy to use in any space, and they can work for almost any type of wedding, from the most formal to the very casual. A neutral color palette is an easy way to have an elegant and subtle wedding ceremony and reception.

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I was so embarrassed for the women with the sticking gas pedal testifying in front of the Congressional hearing for the Toyota recall. She said, “I called my husband on my Bluetooth because I thought I was going to die and I wanted to hear his voice one more time”. Sorry honey you should not even ride a bike let alone drive a car; you’re a danger to you’re self and all of us on the road!

The real failure here is the lack of education on the parts of states, schools and automakers. I asked my wife, daughters and many others people what they would do if the their gas pedal stuck and the car was out of control. Not one of them knew what to do! The answer? Simply slip the gear shift in neutral.

To train yourself for this situation use your imagination while sitting in your car; while holding the brake pedal down, shift the car into drive. Now push the stick or handle forward or up. It will glide easily in neutral. Next try it while you’re rolling slowing down a little used street or find an empty parking lot. The motor will rev or race a little but just take your foot off the gas and put on the brakes and bring the car to a stop. Do this 3-4 times and you’re ready for a sticking gas pedal! Practice this routine several times a year for as long as you drive and you’ll be fine in the event of an emergency.

If the accelerator does stick in the wide-open-throttle position this is what you can expect (all in a few seconds):

1) The car surges forward seemingly with a mind of its own

2) You calmly bump the transmission shifter into neutral

3) The engine races wildly and starts to scream a terrible howl!

4) At the same instant the engine tachometer flies into the “red or danger zone”

5) The car feels like it is coasting or has no power

6) The motor may then blow itself up (NASCAR parlance: the engine lunched)

7) You may loose power steering but your brakes should still work along with the electrical

8) The motor may be in bits and pieces all over the road and you may have oil on your tires

9) Keep the car in as straight as line as possible while heading for the side of the road

10) If you’re on the interstate with several lanes to cross put the four-way flashers on and gently bring the car to a stop if the getting to the shoulder is not possible

11) Get out of the car as soon as possible because the there may be a fire danger from the oil of the now destroyed engine

12) Once all are safe on the side of the road call husband and tell him to start dinner; you’ll be along soon

The schools and especially the automakers must make all aspects of automobile care and handling a much greater priority. With today’s video game and on-line capabilities we should have mandatory simulation training equipment at every dealer and high school. In order to keep your license every driver would need to complete one hour every year on a simulator that would replicate all sorts of traffic situations.

According to FARS ( http://www-fars.nhtsa.dot.gov/Main/index.aspx ) there were 37,261 deaths on the roads in 2008. This rate has held steady while there have been huge improvements of vehicle safety. Driver education and training has not kept up. We need to re-evaluate our approach to highway safety and put more of the burden on the driver to operate their vehicles safely.

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Common Names for Orange Jessamine

Almost always mistaken up for Jasmine because of their resemblance, the Orange Jessamine is also known by its other monikers such as Chinese Cosmetic Boxwood, Hawaiian Mock Orange, Lakeview Jasmine and Orange Jasmine. Unless you are a horticulturist or grower, it may be hard for you to distinguish Orange Jessamine.

Family Name

A member of Rutaceae (pronounced as roo-TAY-see-ee) family plant that means bitter herbs, Orange Jessamine owns the scientific name Murraya paniculata (L) Jacq (mer-RAY-yuh pan-ick-yoo-LAY-tuh). Rutaceae plants are citrus, and this includes plants like Orange, Lemon, Key lime and other citrus trees.

Plant Description

Unlike other plants, the leaves of Orange Jessamine do not fall off. And for such feature, this plant is considered to be an evergreen type. Although it is commonly conceived as a shrub or small bush, Orange Jessamine can reach its maximum height of twelve feet.

It is a fast grower as its young shoot can reach five feet within a few years. Also, the Jessamine can be trimmed to particular sizes or shapes to fit in any garden landscape theme. The leaves are bright and shiny green; while the flowers, which are fragrant bloom white many times in a year.

Plant Location

The best climate for the Jessamine is tropical. However, it also survives in more arid and dry land, provided that it is watered regularly. From the West coast to the East of the United States, mock Orange has greater chances at survival as it needs warm weather.

In Minnesota, this plant can live if there is a green house that can be heated in winter, when the temperature drops below zero degrees. Lakeview jasmine can also thrive indoors in a pot or in a large room. Then its scent can be enjoyed anywhere inside the house.

Culture Needs:

Water is the fundamental need of this Jessamine. The soil, which should be neutral in its alkalinity and acidity, must be regularly moistened. Hence, it is best for the plant to be watered each day or when the soil becomes dry. To keep it healthy and make it flower, it needs nutrients from fertilizers.

Cloning Orange Jessamine or making a sprout from an existing plant is done by making a cutting from its stem, and planting such cutting. Within months, a new shoot emerges from it.

Landscape Usage

Although it needs warm, it cannot survive direct exposure to sunlight. What it needs is to be planted in shaded areas or anywhere with indirect sunlight. Orange Jasmine can also be left alone to grow without limits. However, to do just that, the garden may have sufficient space to accommodate a twelve foot flowering plant.

In addition, since most of the soil in the yard is not neutral, placing topsoil on areas where Orange Jessamine should be planted is ideal.

Pros

The best characteristic of Orange Jessamine is its capacity to thrive in tropical climates. When it blooms, not only does your garden be deigned with flowers; but butterflies will flock on your yard because of the enchanting fragrance of the blooms.

Cons

Growing this plant in drier climate requires daily watering. So, if there are issues on water supply, Orange Jessamine will have a difficult time. Additionally, it can grow to be a rather large plant.

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DisneyT0503 Toy Story 3 Spielset Buzz Retter in der Not Mattel: T0503

Mit diesen beliebten Toy Story Fuguren können Kids wilde Abenteuer erleben.Buzz Retter in der Not kann individuell bespielt werden und läßt sich auch mit anderen Spielset´s zu einer kompletten Toy Story Welt kombinieren. 5 cm große Figur enthalten. Ab 4 Jahren.

DisneyT0503 Toy Story 3 Spielset Buzz Retter in der Not

See Also : Performance Machine Patriot Port A Cool http://elitwit.com/prestonredel/

MAGIX Digital Foto Maker 2008 Filmbearbeitung – Adolf Riess – Wien
Eine sehr empfehlenswerte Software, zur leichten Erstellung herzeigbarer Video-Ergebnisse mit vielen Extras. Empfehlenswert dazu wäre dazu das PowerDVD 10 Paket von CyberLink! Auch für BluRay.
Magix digital foto maker 2008 – Dr. Wolf Peter Paschedag – Bad Oldesloe, Schleswig-Holstein
Magix ist meine favorisierte Bildbearbeitungs-Software. Auch die Speicherung ist übersichtlich und einfach im
Handling. Der digitale Foto Maker ist so gut,daß ich ihn zu Weihnachten verschenken möchte.
MAGIX AG: Bild-/Videobearbeitung MAGIX Digital Foto Maker 2008
Professionelles Fotomanagement leicht gemacht: MAGIX Digital Foto Maker 2008 bietet ausgereifte Funktionen für alle Belange Ihrer visuellen Medien. Genießen Sie den bequemen Import, die übersichtliche Verwaltung und praktischen Optimierungsmöglichkeiten auch für umfangreiche Bilderserien – besonders beeindruckend in HD-Qualität. Fotos und Video-Clips eindrucksvoll auf dem PC, im Internet oder mobil auf Ihrem Handy präsentieren.

Der komfortable Manager für Ihre Fotos und Videos
Unverzichtbar, um ein wachsendes Medienarchiv zu verwalten und das Beste aus Ihren Fotos und Videos zu machen! Erleben Sie, was es heißt, Bilder und Videos wirklich perfekt zu organisieren und in Echtzeit per Mausklick zu optimieren. Entdecken Sie einfach bedienbare Multimedia-Innovationen, die zu besseren Ergebnissen führen.

Verwalten

Intelligent archivieren
Organisieren Sie bequem Fotos und Videos: Erleben Sie den Import von Digitalkamera und Foto-Handy und die Miniaturvorschau Ihres digitalen Foto- und Videoarchivs in Rekordgeschwindigkeit – auch bei großen Dateien! Über die integrierte Datenbank können Sie Ihre visuellen Medien nach diversen Kriterien archivieren und eigenen Kategorien zuweisen. Eine Ordnung nach Erstellungsdatum Ihrer Medien wird automatisch vorgenommen. Änderungen in der Datenbank lassen sich übrigens rückgängig machen, so dass Sie zu alten Zuständen zurückkehren können – wann immer Sie wollen. NEU: RAW-Import für über 260 Kameramodelle



Beeindruckende Performance & Workflows
Erleben Sie den schnellen Workflow vom Import riesiger Datenmengen über Schnell-Optimierungen in Echtzeit bis hin zur systematischen Ablage in Alben, um Fotos und Videos sofort präsentieren zu können. Dabei unterstützen Sie flexible Ansichts- und Verwaltungsmodi, die Ihre Medien nach logischen Kriterien wie Datum, Datei- und Kameratypus, EXIF-Daten, Motiv oder Bewertung sortieren, um Sie später einfach wiederzufinden. Dateibezeichnungen ändern Sie schnell durch funktionales „Mehrfach umbenennnen“.

Besser sortieren und finden
Digital Foto Maker wurde entwickelt um Ihr täglich wachsendes Medienarchiv übersichtlich zu halten. Daher gibt es besonders clevere Funktionen zum Sortieren, Katalogisieren und Wiederfinden – zum Beispiel eigene Kategorien. Das bedeutet, Sie weisen Ihre Bilder bestimmten selbst gewählten Gruppen zu, ohne Sie mehrfach zu kopieren und in diversen Verzeichnissen abzulegen. So kann ein Bild beispielsweise in Spanien entstanden sein, einen Sonnenuntergang abbilden und mit Ihrer Lieblingskamera aufgenommen worden sein. Gleichzeitig könnten diese Kriterien eigene Kategorien bilden, um auf Wunsch alle Spanien-Bilder, alle Sonnenuntergänge oder alle Bilder Ihrer Lieblingskamera mit einem Klick zu finden und sie gesammelt zu betrachten.

Doppelgängern auf der Spur Fraunhofer® PhotoIDTM
Um gleiche oder ähnliche Bilder in der Datenbank aufzuspüren, gibt es die PhotoID, eine Entwicklung des Fraunhofer Instituts. Zum Beispiel schnell mal alle vorhandenen Strandbilder finden? Kein Problem! Des weiteren können Sie Ihre Festplatte bequem von unnötigen Doubletten befreien.

NEU: Wirklich persönliche Bilder: Fraunhofer® FaceIDTM
Die revolutionäre Entwicklung des Fraunhofer® Instituts analysiert und erkennt Gesichter automatisch auf digitalen Fotos. Die identifizierten Gesichter können Sie anschließend bequem einzelnen Namen zuordnen und immer wieder gesammelt auffinden – egal, in welchem Verzeichnis die einzelnen Bilder tatsächlich liegen. Alle Bilder Ihrer Kinder auf einen Blick – Mit FaceID ein Kinderspiel!

NEU: MAGIX Screenshare
Ein lebendiger Austausch mit anderen Nutzern, live übers Internet, wird jetzt mit MAGIX Screenshare möglich: Bildschirmübertragung direkt im Programm über das Menü „@Services“ starten, sich gegenseitig auf den Bildschirm schauen, helfen und live kommentieren.

Optimieren

Schnell optimieren
Komplette Bilderserien können Sie sekundenschnell betiteln, drehen, optimieren, beschneiden, konvertieren und kopieren. Umfangreiche Schnelloptimierungen von Autobelichtung bis Weißabgleich sorgen für strahlend schöne Fotos mit brillanten Farben auf einen Klick. Besonders beeindruckend: Autofarbe und Horizontbegradigung!

Verbesserte Rote-Augen-Korrektur
Die Korrektur blitzlichtgeschädigter Porträtauf-nahmen funktioniert am besten automatisch. Rote Augen werden im Korrekturmodus der Software erkannt und jetzt noch zuverlässiger korrigiert. Eine präzise Verbesserung kann natürlich auch mit dem Korrekturwerkzeug vorgenommen werden. Beide Wege gewährleisten optimale Ergebnisse.

NEU: MAGIX Xtreme Foto Designer 6
Detaillierte Bildbearbeitungen, Collagen und die kreative Gestaltung mit Filtern und Effekten unterstützt der Aufgaben-Assistent im integrierten MAGIX Xtreme Foto Designer 6 jetzt so intuitiv und schnell wie nie zuvor. Umfangreiche Fotoaufgaben wie Retuschieren oder Klonen erledigen Sie schnell und zuverlässig mit perfekten Bearbeitungswerkzeugen, z. B. Stempel, Weichzeichner, Zauberstab, magnetisches Lasso u. s.w. Effektfilter können Makel optisch restaurieren und lassen Fotos wirken wie ein Gemälde oder wie einen Siebdruck. Lassen Sie sich von exzellenten Bildkompositionen überraschen.

Vielseitig präsentieren

NEU: Automatische Panoramafunktionen
Rundum begeisternd: Bis zu sechs Einzelbilder werden automatisch zu exzellenten Panoramen zusammenfügt. Dabei übernimmt die Software die Brennweitenerkennung und korrigiert gegebenenfalls Linsen- und Perspektivverzerrungen. Das Panoramawerkzeug lässt sich auch für jede andere Fotomontage verwenden, um spannende Breitbildformate zu erstellen. Bei der Betrachtung gleitet eine virtuelle Kamerafahrt über Ihre breitformatigen Bilder, damit Sie bildschirmfüllende Impressionen bis ins Detail bewundern können.

Einzelfotos und Bilderserien in allen Formaten
Drucken Sie einfach, was Sie wollen – unkompliziert und kostenschonend. Bilderserien, Poster, Postkarten-Puzzle, Kalender, CD-/DVD-Cover und -Label u. v. m. NEU: Bringen Sie Ihre Fotos gekonnt auf Papier! Ihre Lieblingsbilder einfach, individuell und im gewünschten Format auf Ihrem heimischen Drucker: 9×13, 10×15 u. s. w. Hier finden Sie außerdem Unterstützung für Ihre Geschenkideen! Gestalten Sie z. B. ganz persönliche Fotokalender. Auch noch in letzter Minute! Oder verschönern Sie Ihre selbst gebrannten CDs & DVDs mit einer passenden Hülle und einem Aufkleber.

Features:

Einlesen & Betrachten

  • Fotos und Video-Clips von Digitalkamera, digitalen Spiegelreflex- kameras oder Fotohandys Automatische Datei-Übertragung – auch direkt in eigene Kategorien und Alben (inkl. EXIF-Infos, 3:2-DSLR- und 16:9-Breitbild-Support)
  • Import von PC, E-Mail, CD/DVD Bild-Browser, Media-Player und Vollbildanzeige für alle gängigen Formate (Foto, Video, Hintergrundmusik)
  • Papierfotos einscannen Unkomplizierte Geräte-Anbindung (TWAIN®-kompatibel)

Verwalten & Organisieren

  • Programmperformance verbessert NEU! Schnellerer Programmstart, optimierte Miniatur- und Effektanzeige, schnelleres Laden von Alben
  • Übersichtliche Datenbank mit thematischer Sortierung Automatische Pflege aller Verzeichnisse, Verwalten nach individuellen Kategorien, Personen oder eigenen Bewertungen
  • Innovative Fraunhofer® -Technologien BESSER! FaceID™ erkennt Gesichter und ordnet sie Personen zu, PhotoID™ findet Duplikate und ähnliche Fotos.

Schützen & Archivieren

  • Auf Disc brennen Brennassistent für Fotos, Videos, Alben, Datenbanken und autostartfähige PC-Fotoshows auf CD und DVD
  • Double-Layer-DVDs Für noch größere Fotoarchive und -Präsentationen auf Disc
  • Fotos wiederherstellen Rettet bereits gelöschte Fotos (Datenbank-History)

Optimieren & Bearbeiten

  • 1-Klick-Optimierung Komplette Bilderserien sekundenschnell drehen, optimieren, beschneiden, betiteln, konvertieren und kopieren. Inkl. praktischer Vorlagen (anpassbar für Ihr Kameramodell).
  • Automatische Rote-Augen-Korrektur BESSER: Anhand Gesichtserkennung (auch manuell)
  • Nicht-destruktive Effektoptimierung oder Bearbeitungen speichern – ab sofort per Wahlmodus NEU! Effektoptimierungen lassen Originaldateien grundsätzlich unberührt. Jetzt lassen sich Optimierungen auch sofort direkt im Bild abspeichern.

Präsentieren & Drucken

  • Interaktive Alben erstellen Fotos, Videos, Hintergrundmusik (inkl. 20 Überblend-Effekten, Ton-im-Bild und Text)
  • Fotos, Videos und Alben exportieren Fotoshows als Video, Bildschirmschoner, ZIP-Archive, Foto-E-Mails
  • Bilder brillant ausdrucken MEHR! Handelsübliche Standard-Bildformate (9×13, 10×15 etc.), komplette Bilderserien, Poster, Postkarten-Puzzle u. v. m.

Voraussetzungen/Minimale Konfiguration:
Prozessor: Ab Intel® Pentium® oder AMD® Athlon® ab 700 MHz
Betriebssystem: Microsoft® Windows® 2000 / XP / Vista
Arbeitsspeicher: Min. 512 MB
Min. 500 MB freier Festplattenspeicher für Programmdateien
SVGA-Grafikkarte mit min. 4 MB RAM, Auflösung min. 1024×768 bei 16-Bit High-Colour
16-Bit-Soundkarte, CD-ROM, Microsoft® kompatible Maus

Optional:
CD-Brennen mit SCSI- oder IDE CD-R(W) Brenner. DVDs mit DVD-Brenner (DVD-R(W), DVD+R(W)). USB, USB2, serielle Schnittstelle und geeignetes Kabel für die Datenübertragung von Digitalkameras Scanner mit 32-Bit TWAIN-Schnittstelle, Farb-Drucker MAGIX Online Album, MAGIX Online Druck Service und Catooh – der Online-Medienkatalog mit Internetanbindung und Microsoft® Internet ExplorerTM ab Version 6.0. Installation MAGIX Mobile Photo Suite und MAGIX Mobile Music Maker auf Symbian™ Handys; Übertragung per Bluetooth™, Infrarot oder Datenkabel (nicht enthalten).

MAGIX Digital Foto Maker 2008

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Just when you think you’ve seen it all, today I saw a request over at the Warrior Forum that had me so scratching my head that I was beginning to wonder if this guy was either on drugs or just a plain jerk. If you wonder why I feel this way, keep reading. Point is, if you’re going to make requests, be realistic about them.

Okay, what was it that got me so ticked off today? Well, this guy comes to the Warrior Forum and he starts a thread that says “I’ll pay you $200,-for finding 35 YouTube videos for me”

Now, upon first sight, I figured, “Well, how hard can this possibly be? He’s probably looking for certain kinds of videos that shouldn’t be too hard to find.”

Here were his list of demands:

* Must be less than 1 year old.

* Has at least already 100,000 views.

* Must have at least 1,000 views per day. (track or follow it for 24 hours)

* The stats of the video must be going up and not neutral or going down.

* Must be a video longer than 1 minute

* Has of course no link and also no annotation in the video

* Video owner accepts link and annotation.

* Must be a good video where I can place a link on to an “internet marketing” website. So an entertainment kind of video is good enough.

* The demographics of the video should show people visiting it mostly from the US/Canada/UK region. Also, the age of people viewing the video must be at least 18 years old. So no videos that attracts a lot of kids.

Why don’t you just ask for the moon to be delivered to you on a silver platter fellow?

Let me tell you people who are reading this article something. I’ll pay $2,000 to anybody who can find ANYONE who fits the above criteria. I mean talk about total insanity.

Well, after I finished reading the insane demands, I laughed, wished the fellow luck on his quest and then went on my merry way.

Okay, but why is this such an unrealistic request aside from the fact that it’s unlikely he’s going to find 35 videos that match the criteria?

It’s called time my friend. How long do you think it would take to find even ONE video that matches the above criteria? Would you say it would take a minimum of 48 hours? I would. At $6 per video, what does that come out to hourly as far as pay scale?

See what I mean? It is absolutely not worth anybody’s time to do this.

So please, if you’re going to make requests, please make reasonable ones.

End of rant.

To YOUR Success,

Steven Wagenheim

Thanks To : Aec Software Tanzanite http://elitwit.com/sharonhartley/ http://glenniehahner.blogspot.ro/

Corel Painter X [OLD VERSION] Stability problems. – Sean Murphy – Gig Harbor, WA USA
The concept of Painter is great and it delivers on the idea, except it’s not very stable. I’ve had this program installed on two different computers an XP machine and now a Vista machine. It crashes much more often than Photoshop does, infact I don’t remember photoshop ever crashing. Whereas painter X with the update installed crashes every third time I use it. If I could figure out a pattern then I’d just save before I did any crash worthy actions, but I haven’t been able to figure out the pattern… Having the crashes happen on both my installs makes me think this isn’t just my unlucky problem…
Corel: Corel Painter X, the world’s most powerful Natural-Media® software, offers artists and photographers professional art & design tools that are unmatched by any other product. Delivering the next-generation art studio, Corel Painter X blurs the line between traditional and digital art like never before. Complete with training videos by Painter Master Jeremy Sutton, artists can learn new techniques to create original works of breathtaking art. Setting the standard, Corel Painter X introduces unparalleled performance, new color and composition tools, and the revolutionary RealBristle Painting System that provides an organic painting & illustration experience—right down to the individual bristles on the brush. Corel Painter X offers artists and photographers professional art & design tools unmatched by any other software. Corel Painter X blurs the line between traditional and digital art. It introduces unparalleled performance, new color and composition tools, and the RealBristle Painting System, providing an organic painting & illustration experience.

Top 10 Reasons to Buy Corel Painter X

1 Speed: Corel Painter X has been significantly optimized to provide artists the fastest version of Painter–ever!

2 Workspace Manager: Customize, backup your workspace and share brushes and content with ease

3 Secure Saving: Auto-backups provide added peace of mind when saving files

4 Next-generation Natural Media: Representing a major milestone for digital painting, RealBristle brushes emulate their traditional counterparts right down to the individual bristles on the brushes. While artists have always marveled at how closely Corel Painter resembles traditional art media, Corel Painter X takes realism to a whole new level

5 Composition Tools: Compose your images like a Master using the Divine Proportion or the rule of thirds

6 Enhanced Photo-Painting: Now it’s even easier than ever for photographers to create stunning paintings from photos! New settings offer more control over your underpainting and new Smart Stroke provides greater intelligence during auto-painting.

7 Enhanced Adobe Photoshop Support: With easier layer grouping and combining, and improved support for layer merge modes, artists can more effectively work between Corel Painter X and Adobe Photoshop

8 Intel-based Mac Support: Now you can get the best performance from Corel Painter X and your new Intel-based Mac. Corel Painter X is a Universal Binary application, which allows it to run natively on Intel-based Macintosh computers.

9 Windows Vista: Now Corel Painter X is compatible with Microsoft’s latest operating system–Windows Vista

10 Jeremy Sutton Training Videos: Includes access to free training videos by renowned Painter Master Jeremy Sutton


The RealBristle Painting System sets a new standard for digital painting.

New composition tools will help you compose your paintings like the masters.

Dodge and burn capabilities have been improved with the addition of two new image enhancement tools.

New composition tools will help you compose your paintings like the masters.

The Auto-Painting Palette transforms a photograph into a painting.

Unparalleled Performance. Next Generation Art & Design Tools
New Corel Painter X–the world’s most powerful Natural-Media painting and illustration software–features unique digital brushes, art materials and textures that mirror the look and feel of their traditional counterparts. Setting the standard for digital painting and illustration, the Corel Painter X digital art studio introduces new composition tools, unparalleled performance, and the all-new RealBristle painting system that models traditional brushes like never before–right down the individual bristles on the brush!

Designed for Artists, Designers, and Photographers
…and the next generation of Creative Professionals!

Commercial Designers
Commercial designers require powerful tools for their craft. That’s why many of the world’s foremost illustrators, automotive concept designers, industrial designers, architects, and graphic designers use Corel Painter. Corel Painter X enables commercial designers to vividly capture their creative vision and handcraft distinctive designs, illustrations, and logos for their clients.

Entertainment Artists
Leading artists in the entertainment industry use Corel Painter to produce some of the world’s best-known movies, comic books and video games. Professional entertainment artists can speed their production time by using Corel Painter X–leveraging their natural talents and techniques–to create astounding scenes, characters, vehicles, and textures.

Professional Photographers
In recent years, Corel Painter has sparked a new trend in the professional photography market as photographers explore the creative possibilities of turning their photographs into paintings. Corel Painter X offers photographers new revenue streams by making it easier than ever to create breathtaking, hand-painted works of art from their photographs.

Fine Artists
Many fine artists use Corel Painter as their primary art medium. Their works appear in galleries around the world, demonstrating that digitally-created art has become an accepted medium on the world’s art scene. Corel Painter X enables artists to experiment with new techniques, without investing the time and money that would ordinarily be required with analog mediums, and achieve results that emulate those of their traditional counterparts.

Students
Educators around the world are harnessing the power and ease-of-use of Corel Painter to help enhance the learning experience and provide students with the skills they need to succeed as leading creative professionals.

Product Highlights and New Features
Corel Painter X offers a broad range of tools and features that inspire creativity, increase performance, and further extend compatibility with other industry-standard tools and applications. It delivers an impressive array of new features that provide unprecedented power to replicate traditional art media–right down to the individual bristles on the brush.

Increased Performance
Corel Painter X has been optimized to provide artists with the fastest version of Painter–ever! Depending on system hardware, brushes perform up to 35% faster–and file opening and saving is up to two times faster!

New RealBristle Painting System
The new RealBristle Painting System heightens the responsiveness of the brush and represents a major milestone for digital painting. Artists can now faithfully replicate the sensation of the interaction between the paint, the canvas, and the brush. See it in action.

New Composition Tools
New composition tools help artists and photographers visually arrange a blank canvas prior to sketching or painting, or create an aesthetically pleasing composition from a photo using the Divine Proportion tool and the Rule of Thirds. Used throughout history by artists, designers, and architects alike, the Divine Proportion will help you compose your paintings like the masters! Similarly, professional photographers often use the Rule of Thirds to compose their photographs.
See it in action.

New Workspace Manager:
Corel Painter X allows you to easily customize and back up your workspaces as well as export and share them with your friends and colleagues.
See it in action.

Enhanced Photo-Painting System
It’s now easier than ever for photographers to create stunning paintings from photographs! Major improvements offer greater control when Underpainting, and the new Smart Strokes technology adds more intelligence during Auto-painting.
See it in action.

New Downloadable Training Videos:
Getting up and running quickly with the new training videos by Painter Master Jeremy Sutton!
See it in action.

New Universal Mixer palette
For multicolor selection, the new Universal Mixer palette gives you better control over color blending between the Mixer palette and the canvas.
See it in action.

Dodge and Burn Tools
Dodge and burn capabilities have been improved with the addition of two new image enhancement tools to the toolbox. Now preparing photos for paintings is easier than ever!

Enhanced Adobe Photoshop support
With improved layer grouping and combining, and enhanced support for layer merge modes, artists can more efficiently work between Corel Painter X and Adobe Photoshop.

Enhanced Wacom Support
Artists can use the entire Wacom product line–including the Cintiq 21 UX interactive pen display, the Intuos 3 pen tablet, and the Wacom 6D Art Pen.

New Printed User Guide
Full and Upgrade customers receive a color printed User Guide which provides useful reference information and fast solutions. Also includes a 16-page art gallery.

New Match Palette effect
The new Match Palette effect lets you match the color and intensity between two images. Just open an image that features your desired color scheme and use the Match Palette effect to bring the desired color scheme to the image you want to change.

Windows Vista Support
Corel Painter X is compatible with Microsoft’s latest operating system–Windows Vista.

Intel-based Mac Support
With support for Universal binary specifications, Corel Painter X is optimized for use on Intel-based Mac computers.

Fundamentals
Corel Painter’s heritage is deeply rooted in the foundations of art theory and technique. Over the years, Painter developers have worked closely with artists from around the world to create the next-generation art studio. Providing an experience that is unmatched by any other software, Corel Painter has grown to become the world’s most powerful painting & illustration application.

Artists, designers and photographers continue to enjoy many features that have been the cornerstones of this ground-breaking application for years. The following features let creative professionals leverage their natural talents and techniques to create original works of art, distinguishing Corel Painter from other applications.

Brushes
Brushes have always been the heart and soul of Corel Painter. There are more than 30 brush categories, ranging from Crayons, Chalk, and Charcoal to Acrylics, Watercolor, Liquid Ink, Artists’ Oils, and the new RealBristle. While most brush categories mirror the look and feel of traditional brushes, others offer users a one-of-a-kind creative tool.

Brushes are organized into distinct categories, each featuring a multitude of variants. The following brush categories are just a sample of those available to Corel Painter X customers.

Brush Controls
Brush Control palettes provide quick, easy access to all brush settings and controls. Making on-the-fly changes to brush settings and variables is as simple as dragging a slider—without any disruption to workflow. For example, the Boost slider, found in the General palette of the Brush Controls, instantly enhances brush speed. Just drag the slider and see brush performance accelerate.


Gitanjali Rao’s “Printed Rainbow” animated film.
Winner of three “Best Short Film” awards at Cannes 2006, including the Kodak Discovery Award—Best Short Film; the Young Critics Award—Best Short Film; and the Rail d’Or—Best Short Film. www.printedrainbow.com

Textures
In the traditional art world, an artist’s brush or drawing tool produces different results when applied to surfaces with different textures. Corel Painter allows users to control the texture of the canvas to achieve the results they would expect from conventional art media on a given surface. Brushes interact with paper grain, just as natural tools react with the texture of the surfaces beneath them. Textures can also be used to create special effects, such as rusted metal on an intergalactic spaceship or bark on a tree.

Animation
Corel Painter has an impressive array of animation features. The Onion Skinning feature enables users to view previous and future frames while working on the current frame. The Rotoscoping feature enables users to paint and modify a single frame of an existing movie. Animated movies can be saved as animated GIFs, QuickTime movies, or AVI movies.

Support for Industry-Standard File Formats
Corel Painter lets users open and save a variety of file formats, including Adobe Photoshop (PSD), Corel Paint Shop Pro (PSP), TIFF (CMYK & RGB), Windows Bitmap (BMP), PC Paintbrush (PCX), TARGA (TGA), GIF, JPEG, Mac PICT, QuickTime (MOV), and Video for Windows (AVI) files. Users can also save files in encapsulated PostScript (EPS) format.
Corel Painter X [OLD VERSION]

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I’m Not Neutral

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In this second of two parts, the purpose of knowledge, education and thinking are explored and conclusions regarding how to integrate them for maximum benefit are offered for your consideration.

The Purpose of Knowledge

There are two types of knowledge. The first is “original” knowledge: it is primordial, intuitive and innate to every human being. Original knowledge is more than mere bits of information about something: it is the clear comprehension and appreciation of the truth of one’s unique existence. Descartes’ maxim, “I think, therefore, I am” literally means, “I think, therefore, I know that I am.” Original knowledge is that within each of us that testifies to the uniqueness of our existence so that when this knowledge becomes the subject of our contemplation we can say, “I think, therefore, I know who I am.” Although it is intrinsic to every human being, original knowledge is not self-evident. It must be mined and uncovered through thoughtful reflection and intentional rumination.

The second type of knowledge is “consequent” knowledge. It is subsequent, derivative, external and is not innate. Original knowledge is self-knowledge; everything else is the content of consequent knowledge. It is the immense array of data and stimuli that are encountered external to the Self. It is not entirely accurate to say that it is knowledge per se, rather it is the body of information from which knowledge is fashioned.

The purpose of both types of knowledge is to provide the means for the growth of the Self (Soul) and, secondarily, of society. Knowledge is the nutrient for soul and social development; but not just any knowledge. Knowledge is not neutral. It either strengthens or withers the knower. Formal education, citing academic freedom, facilitates the exploration and acquisition of all kinds of “consequent” knowledge without regard for its “healthfulness” for the souls of the learners and the societies in which they live. It is this “knowledge for the sake of knowledge” approach to education that results in the ill effects of “too much of a good thing.” Without a guiding centering principle, the learner will be too easily tossed around by the enormous amount of information that comprises what he/she knows. When learners are encouraged to first get in touch with their original knowledge, they proceed with confidence to organize what they subsequently learn into a meaningful and satisfying whole.

It is true that some learners will emerge from formal education with hope in their hearts and a bounce in their step. Others, exposed to the same content, end their academic careers (sometimes prior to graduating) with despondency and dread of the future. Some students will be more acquainted than others with what they already know (their original knowledge) and what they can do. This recognition and understanding of their original knowledge provides them with a framework within which to properly place their consequent knowledge. When original knowledge directs the integration of all subsequently acquired knowledge, the soul grows more confident and contented with its content. Since society is composed of souls, as souls grow so grows society.

I recall an illustration of a young boy who was pestering his father for his attention during the Super Bowl. The boy was persistent so the father, looking around for something to occupy his son’s time for a couple of hours, spotted a picture of the globe on the front page of the newspaper. He turned it into a puzzle by tearing the page into many variously shaped pieces. He then instructed the boy to put the pieces back together. He was startled when his son returned less than ten minutes later with the page perfectly reconstructed. “How did you do this so fast?” exclaimed the father. The son replied, “It’s simple, Dad. There was a picture of a man on the other side and all I had to do was put the man back together and then the world fell into place!”

Our personal world falls into place, which is our proper place in the universe, when we use our original knowledge to accurately put together all the many pieces of consequent knowledge we’ve acquired throughout our lives. Some knowledge will be discarded as inaccurate, impractical, harmful or unsupportive of our uniqueness and self-development. Napoleon Hill, author of “Think and Grow Rich,” understood the need to rid one’s Self of accumulated impoverished knowledge. He wrote, “Not all knowledge which one accumulates through experience is accurate.” Some knowledge will be embraced and woven into the fabric of our distinctive individuality. Every element of our knowing will be assigned its proper place within our soul. It is at this point you become confident in your true Self, unafraid of your uniqueness, unperturbed by external events and opinions, bold and fearless as you face your future.

The human soul is a basic element of creation. Properly placed knowledge is the sole (and soul) ingredient for the expansion and variation of human creation. Every act of acquiring and revealing knowledge is an act of creation. When something new is properly learned and incorporated into one’s mind, the brain becomes something different both physiologically and psychologically than it was previously. To some degree, however big or small, perceived or unperceived by one’s self or others, a different person has been created through the acquisition of new knowledge. I am in agreement with Oliver Wendell Holmes when he said, “the mind, once expanded by a new idea, can never return to its original dimension.” Proper knowledge, then, is the primary means of the on-going development of the Self. Both original and consequent knowledge serve to expand and deepen the meaning and significance of the human soul with the former being the director of the latter.

The Purpose of Education

Instead of putting into or filling up empty-headed students with knowledge they didn’t have, the ancients approached educating the human mind as an endeavor to reach a clear understanding of and appreciation for who one was as a unique individual. The Latin word from which our English word, educate, stems is “educo,” meaning “to bring out, draw out, lead out, march out.” The purpose of education was to “bring out” from within that which was already there by virtue of birth. Instead of bringing out what lies within, modern formal education systems often “educate out” of the child what was originally there by covering it up with what often turns out to be extraneous and superfluous information. There is much “data din” and “knowledge noise” pervading contemporary education.

Shel Silverstein, the late master of simple yet profound verse, crystallized this reality in his poem, “Forgotten Language.”

“Once I spoke the language of the flowers,

Once I understood each word the caterpillar said,

Once I smiled in secret at the gossip of the starlings,

And shared a conversation with the housefly

In my bed.

Once I heard and answered all the questions

Of the crickets,

And joined the crying of each falling dying

Flake of snow,

Once I spoke the language of the flowers . . .

How did it go?

How did it go?”

Samuel Johnson’s words, quoted earlier, bear repeating: “human beings need to be reminded more than they need to be taught.” The content of education often overwhelms any context within which the content can be properly understood and applied to “real life.” Instead of being reminded of what we already know about ourselves, we are relentlessly inundated with voluminous material that essentially causes us to forget what we know. If ever we have a déjà vu experience in our formal education in which we learn that we already know something about our true Selves, the very next moment the syllabus has us off to different data without helping us knit our knowing into new knowledge.

Michelangelo was once asked how he was able to transform a cold, inanimate block of stone into a beautiful angel with the appearance of warmth and life. He replied, “I don’t see the block of stone. I see the angel inside and keep chipping away until it is released.” This is an excellent way of understanding an educator’s proper approach to the process of educating both young and old.

Doing What You Know

You’ve no doubt heard that people know what to do but they don’t always do what they know. The primary reason why they don’t always do what they know is because they don’t always know that they know. They haven’t yet been educated to be aware of their original knowledge. They have been “put into” and not “brought out of.” They haven’t been taught that the purpose of thinking is first and foremost to know their true Selves and not just to know what others know. Furthermore, we all tend to devalue our knowledge and think that we either don’t know enough to do well or that what we do know isn’t good enough to do well.

When you know yourself, you will understand implicitly what you are capable of doing and what you need to do to be your true Self. At the same time, you will also implicitly understand others because we are like those Russian stacking dolls: inside each of us is a small version of all of us. Although we are unique manifestations of humanity, every human being is possessed of unique original knowledge that nonetheless bears the dimensions and content of a common humanity.

When you do what you know, that is to say, when your daily behavior and decisions are intimately informed by your original knowledge, your actions become infinitely more effective than they ever could have been before. You find yourself acting from a strength spawned not of blind faith or simplistic certitude but of unwavering confidence in the face of uncertainty. You act from the center of your true Self and the manner in which you speak and move through life is benevolent and peaceful. Your thinking is comprehensive in its awareness of the environment and takes into consideration the impact your thoughts will have on others.

Thinking From Your Center

In most of the success literature beginning with the 1903 Napoleon Hill classic, “Think and Grow Rich,” the idea that thought is the supreme creator of human destiny and quality of life has taken root and grown immensely strong. James Allen, in his seminal classic, “As A Man Thinketh,” wrote,

“Thought in the mind hath made us.

What we are by thought was wrought and built.

If a man’s mind hath evil thought, pain comes on him as comes the wheel the ox behind. If one endure in purity of

thought, joy follows him as his own shadow – sure.”

In the same book, he also wrote the following. You may wish to replace the words, “you” and “your” with the words “I” and “my” so as to turn each sentence into affirmations so that you can use them to increase your understanding and appreciation of the power and potential of your own thoughts.

“As you think, you travel; just as you love, you attract.

You are today where your thoughts have brought you.

You will be tomorrow where your thoughts take you.

You cannot escape the results of your thoughts.

But you can endure and learn; you can accept and be glad.

For you will realize the vision of your heart, be it base or beautiful.

You will fall, remain or rise with your thoughts.

Cherish your vision, your ideal.

For you will become as small as your controlling desire or as great as your dominant aspiration.”

Original knowledge, once uncovered, is the clear awareness of your controlling desires and the content of your dominant aspirations. Consequent knowledge helps us identify the proper ways our dominant aspirations can be fanned into the flames of enthusiasm, ambition and accomplishment. It can also help us take the necessary steps to overcome the petty and self-limiting desires that yield the incomplete and unsatisfying outcomes we often experience throughout our lives.

Thought, indeed, is powerful energy. But to be of any worthwhile value a thought must be acted upon by the thinker so that it is manifested externally to the mind that produced it. All things that can be classified as “real” (tangible, observable, pliable, empirical) are actually secondary physical manifestations of initial intangible, invisible mental activity. They become “real” by means of the thinker acting on the thought and “fleshing it out.”

Andrew Holmes, brother to Oliver Wendell Holmes, said, “speech is conveniently located midway between thought and action where it often substitutes for both.” Just because a problem is talked about doesn’t mean that it will be thoughtfully acted upon by anyone at the meeting. In fact, too often those gathered to discuss a problem believe that they actually have acted on the problem just by talking about it. This may be a good place, perhaps the only place, to begin solving a problem, but it is too often the last thing anybody does anything about it, including thinking about it.

Thoughts that arise from the blending of original self-knowledge and other forms of consequent experiential knowledge provide the motives to take action to realize them in external tangible form. This is why the best of human thinking begins and ends with how to manifest one’s uniqueness in the world. When you realize the beautiful vision of your heart, of your true Self, you will rise to manifest the greatness of your dominant thoughts in all of your actions.

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